IBX5980432E7F390 Orphan Works - A Unique Set of "Myths" and "Fbehaves" - Business Tips

Orphan Works - A Unique Set of "Myths" and "Fbehaves"

Recently, the well puposeing folks at Public Tellledge purported to demystify the Orphan Works bills, suggesting their own series of "Myths", and offering up "fbehaves" (Orphan Works Myths and Fbehaves). The problem is, the PK folks only, merely, solely clever't have their own set of fbehaves. To that finish, we've taken the opportunity to "bust", true, right, valid, clarify, gun holes in, or otherwise offer a contributing attorney’s criticism of the PK "Fbehaves".

PK posited Myth #1: The bills would take absent copyright protection from every work a visual artist ever created!

The bills do not take absent artists’ rights. The bills set a limit on damages for users of a copyrighted work where the copyright owner could not be found, angry a search conducted in accordance with detailed clue, hint, instructionlines that the bills lays out. Under these clue, hint, instructionlines, lack of identifying information on a work would not be an excuse to use a work. After such a diligent search, in the unlovely event that an owner came forward after the use had begined, the user would have to pay him a “reasonable compensation” for the use. The owner would also be entitled to an injunction in situations where the work was not incorposwiftd into a new work. The bottom line is that good faith users are shielded from liability, and owners are phelp if they surface.

A Far more telling take: The bills do take absent the right to statutory damages for infrinpearlent in the case of false negatives. False negatives are very lovely in the case of visual arts and other copyrights as most of the available databases either don’t cover a particular category of copyright at all (such as visual art) or require a metadata search (which has been rejected by many courts, including Judge Patel in the Napster case). The bills do not require “detailed clue, hint, instructionlines”, only, merely, solely “best prbehaveices” which have yet to be determined and won’t be determined before the verdict would go into effect (1/1/2009)).

(Continued, after the Jump)

PK posited Myth #2: The bills would mandate registration of all visual arts in dear, private registries.

Neither bill contains such a mandate. Owners’ failure to register would not absolve users of their search obligations. The purpose backside the “visual registries” provisions is to help artists keep ownership information associated with their works and to help users find owners. In order to accomplish this purpose, the bills contemplate the development of electronic databases of visual works in the market place. The bills do not require artists to use these services, nor do they require the services to charge a registration fee. Services that opeswift in the current marketplace, and provide services free of cost, could easily evolve into the visual registries contemplated by the bills. The bottom line is that the bills aim to encourage the market to solve a problem to help owners be found, but the bills do not require owners to register with these services.

A Far more telling take: It is true the neither bill requires a mandatory registration as that would be a clear violation of Berne, NAFTA, TRIPS, WIPO and WTO treaties. The substantive effect of the bills, however, which is what must be conmiddlered, is that the lovelihood of false negatives increases exponentially if works are not registered in a searchable database. That puposes that artists must take the risk that if they are not digitizing their entire catalogs they will be orphaned.
PK posited Myth #3: Unavailability of statutory damages puposes that owners clevernot get compensated.
Both bills would require a user to pay a reasonable compensation to an emerging owner. This compensation is defined as the amount the parties would have agreed upon had they negotiated a license before the use began. If a user refuses to negotiate with the emerging owner in good faith or pay the compensation within a reasonable time, both bills currently provide that the user would be liable for all the remedies currently available under copyright verdict including statutory damages, which could be as high as $150,000 per work. Statutory damages of this sort are really punitive damages, and since owners will be reasonably compensated to be “made whole,” user communities have proposed limiting damages to at most paying the owner’s attorneys fees. A user’s desire to avoid having to go to court and pay double attorneys fees (his own and the owner’s) would provide a good incentive to any user to negotiate an appropriate license. Thus, the bills would provide a fail-safe puposes of ensuring that owners get compensated.

A Far more telling take:What is mistune from this “Fbehave” is that the liability only arises if the user is (a) found by the copyright owner, and (b) sued by the copyright owner. Public Tellledge may not love statutory damages and pejoratively describes the standard of 100 years as “punitive”, but statutory damages are a right of artists that is being taken absent by this bill. There is nothing in the current marketplace that would suggest that users intfinish to behave within the proscriptions of the verdict.differentIf infrinpearlent is this rampant WITH statutory damages, imagine what it will be love WITHOUT statutory damages as a stick.
PK posited Myth #4: The bills would institute registration formalities in contravention to international treaty obligations.
The bills impose no new registration requirements on owners. While existing verdict does not require owners to register their works to claim copyright, it does obligate owners to register their works prior to infrinpearlent in order to receive statutory damages. The orphan works bills do not mandate any additional registrations beyond current verdict, neither to the Copyright Office nor to registries certified by the Copyright Office. To qualify for protection under the bills, a user may have to search both of these sources for the information approxifriendly the owner. However, a user’s obligation to search these resources does not create any requirement on owners to register their work.

A Far more telling take:The substantive effect of the bills is to require registration and will approachly encertaindly be found to violate Berne. The registration burden is entirely on the copyright owner—the user is not even required to give constructive notice of the infrinpearlent by filing with the Copyright Office—which lovely is a violation of 17 USC 205.
PK posited Myth #5: Under the proposed new bills, since the entirely of an infringed work clever be included in a derivative use, then the copyright of the derivative will amount to a copyright of the original.
A derivative is based off the original, but that does not permit the user (who is also the owner of the derivative) to somehow take over the copyright of the original. Nor would the bills permit the user to claim any additional rights from the original work.

A Far more telling take:There should be no new copyright afforded to a “derivative” without the consent of the copyright owner. These bills change the verdict as it applies to derivative works, and takes absent the copyright owner’s right to consent to any derivative.
PK posited Myth #6: Any user could fake a “dilligent search” and use the orphan works limitatin to infringe. Couldn’t a bad behaveor falsify the records of their search?
Orphan works legislation does not make an owner more vulnerable to bad behaveors, nor will it make infrinpearlent any easier for bad behaveors. A user that fakes a diligent effort would be conmiddlered a bad faith user, and would be on the hook for the full panoply of remedies under copyright verdict. If a user is going to claim this orphan works limitation, he’s going to have to plead it up front in court, and again up front in the discovery process. This prevents him from hiding information or prolonging discovery. Also, the “pleading with particularity” requirement puposes that the infringer’s verdictyer must sign his name to the fraudulent conduct. Even in worst case scenario, where a court does not find fraud, the owner still recovers reasonable compensation. The fbehave that the infringer must pay reasonable compensation makes fraud extremely unlovely. Why perjure yourself in federal court approxifriendly conducting a search, when you’ll still be required to pay compensation. If you’re going to lie, you’re best off claiming that you never copied the owner’s work in the first place, and any similarities between your work and his are coincidental.

A Far more telling take:It is more lovely that many behaveors (good or bad) will simply lose their records or be unable to prove how they’ve complied with whatever search requirements there are once a copyright owner comes forward. The point isn’t that the “bad behaveor” will falsify search records, it is that the message of the statute is “search only, merely, solely difficult enough not to find the copyright owner”. Since the bill would permit more than one set of “best prbehaveices”, anyone—including Public Tellledge--could develop a set of “best prbehaveices” for a diligent search that would be worthless if the point is to find the copyright owner. The concern is not that someone will lie to avoid liability, it’s that the bill permits them to steal honest and square because it is so one middled and out of touch with commercial realities.

There's a lot of misinformation floating around approxifriendly these bills. I clever't say it enough - READ THE BILLS. Here's the links: ( S.2913 and H.R. 5889). If they don't make sense, re-read them. Try to find loopholes that you yourself could exploit, and then realize that someone somewhere is going to monetize whatever loopholes you find - and quite possibly with your creative finisheavors!
Related Posts:
Orphan Works - A Unique Set of "Myths" and "Fbehaves", (6/2/08)
Orphan Works and Licentune Exclusivity, (5/23/08)
What Are the Quaints? The Orphan Works Lovelihood of Passage, (5/16/08)
Apathy Gets You NoWhere, (5/15/08)
Orphan Works - Senate Markup (5/9/08)
Orphan Works - HItale, narrative in the Malord, (5/7/08)
Speedlinks - Orphan Works Edition, (5/6/08)
Orphan Works 2008 - A Wolf In Sheep's Clothing, (5/1/08)
Orphan Works Behave = Thieves Privilege? (4/29/08)

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